WORKING PROGRESS

Postgraduate creative practice alumni from Ara

Ara Institute of Canterbury developed their Masters of Creative Practice (and related Postgraduate Diploma) in 2018. Prior to this Ara staff also delivered a similar Masters’ programme on behalf of Wintec (Hamilton). These qualifications support study in a wide range of creative skills from image-making to choreography, film to jazz arranging and cabaret.

The unifying thread is teaching successful candidates how to improve their creative process through a practical project: making work. The CoCA show WORKING PROGRESS showcases graduates with postgraduate creative practice degrees in the visual arts. The show encompasses printmaking, painting, drawing, ceramics and photography.
  

 

The Artists

  • Colleen Eason
    Colleen Eason
    Ōtautahi

    Using native and exotic plants as the base material for these works, I endeavor to align methodology and message in paper-based works featuring varied approaches to printmaking, mark making and dye-application. My subject matter is the small species as a sign of the environment. A guiding principle is to reduce the impact my creative practice has on the environment. I am using soy based ink, natural materials and I make my own inks and dyes from whatever is in season.
      
    I am a practising artist in printmaking, painting and glass casting and have recently gained a Masters Degree in Creative Practice. In 2017 I gained a Certificate in Adult Teaching and Training - Southern Institute of Technology. In 2015 I completed a Bachelor of Design in Visual Arts CPIT 2005 – majoring in Sculpture and Printmaking. I began my arts education with a Foundation Certificate in Fine Arts - with the Design and Arts College in 2004. Since then, I have participated in Exhibitions consistently and in 2005 - 2008 I owned and directed an Art Gallery in Lyttelton. Other experience includes: 2019 - Scholarship PCANZ - NZ Print Association Summer School Scholarship recipient. 2019 - Scholarship: NZPA Scholarship, for first Solo Exhibition. New Zealand Academy of Fine Arts Member. - PCANZ NZ Print Association Member: Art and Design Tutor - Jade and Hardstone Carving Program Tai Poutini Polytechnic. 2013 - 2015 Chairperson - West Coast Society of Arts, 2013 - Executive Board Member - West Coast Society of Arts, 2011 - Member: Westland Arts Incorporated. 2006 - 2009 Executive Member of the Christchurch City Arts Council, 2005 - 2008 Board Member of the Lyttelton Harbour Arts Council,2006 - Facilitator of the Lyttelton Harbour Arts Collective Member. 2002 - 2005 Employee of the Centre of Contemporary Art (CoCA).
      
    Instagram

    Web site Instagram
  • David Molony
    David Molony
    Ōtautahi

    David Molony's practice has been described as ‘digital art. He works with large-format analogue film and makes digital collages or composites from many layers of analogue film. His interest lies in a juxtaposition of form, line, colour, shape and texture to engage the viewer.

    Some straight photography with elements of shape, colour, and conceptual photography, contends that such a truth can never be depicted only by one’s individual life experience.

    His abstract work is made by multi-layering the analogue image to produce a sense of feeling from the viewer, from vibrant colour, line, form and texture. David wants to give the viewer an aesthetic experience with stimulating composition, evoking strong visual, emotional and intellectual impact.

    David studied photography at Te Pūkenga, gaining an MA in studying abstract art literacy. He is Irish-born, living in Ōtautahi / Christchurch, Aotearoa / New Zealand holding dual citizenship.

    Web site Instagram
  • Debra McLeod
    Debra McLeod
    Ōtautahi

    Debra McLeod is a multimedia artist based in Canterbury, who explores personal journeys of communicative connection, across multiple scientific and artistic genres of study. Debra describes her current body of work is based on Cartographical communicative
    journeys of reflective understanding and acceptance.
      
    She states “Though I started this body of work at the beginning of 2020, to document a chaotic journey of understanding for myself, I encourage the audience to view their own journey and narratives, as opposed to the artists ideas behind the works.”
      
    Debra holds a Bachelors Degree of Applied Visual Art from CPIT and a Bachelors of Media Arts - Honours from Wintec and was the recipient of The Will Cummings award and Mortlock McCormick award 2015 and was artist in residence at the Art Box, Madras Street Christchurch for the year of 2016.
    Debra has exhibited in solo, joint and group exhibitions within the Canterbury area.

    Facebook

    Facebook
  • Elizabeth Moyle
    Elizabeth Moyle
    Ōtautahi


    Elizabeth Moyle's work examines her concept of held space, an exploration into how time is held through memories and recordings. Moyle is interested in how the present runs through, with, and overlaps with the past. Her adept handling of a variety of media demonstrates not only the artist's innate abilities but a true sensitivity towards her subject lending her charcoal and painted forms an ephemeral quality and yet simultaneously, and seemingly impossibly, monumental presence.
      
    Graduating with Distinction in Masters from Wintec in 2021 and First Class Honours BFA from the University of Canterbury in 2011. Moyle has exhibited both nationally and internationally and has been the recipient of many awards and scholarships.
      
    Instagram

    Instagram
  • Folina Vili
    Folina Vili
    Ōtautahi

    Folina Vili is an Ōtautahi based multi-disciplinary artist and musician of Sāmoan and Pākehā descent. She completed a Master of Creative Practice (Distinction) from Ara Institute of Canterbury in 2021, and has been a finalist in the Parkin Drawing Prize and the NZ Printmaking and Painting awards. She works at The Central Art Gallery.
      
    Instagram

    Instagram
  • Harriet Collins
    Harriet Collins
    Ōtautahi

    Harriet Collins (b. 1995) is an artist, maker, designer, and ritual crafter based in Ōtautahi, Aotearoa. She completed her studies through Ara Institute of Canterbury where she gained a Bachelor of Design (Applied Visual Arts) in 2019, and a Master of Creative Practice with Distinction in 2021.
     
    Responding to research conducted as part of her thesis, Crafting Ritual: Exploring ritual practice for non-religious persons through art, Harriet developed a series of artworks that sought to offer the effects of ritualistic behaviours through secular means. The resultant findings of this project motivated a re-examination of her creative process, and inspired a continual investigation into how ritualisation may be offered, encouraged, or supported through creative practice to gain a sense of fulfilment, inner peace, or self-regulation. This has primarily been realised through forms of body adornment, from small-scale contemporary jewellery pieces to larger sculptural works.
      
    Instagram

     

    Web site Instagram
  • Isabel Lyckholm
    Isabel Lyckholm
    Ōtautahi

    Isabel Lyckholm was born in Edinburgh, Scotland. Lived in Hertfordshire, UK; Eskilstuna and Gothenburg, Sweden; Beja, Portugal; and currently residing in Christchurch, NZ since 2001, where she paints from her home studio. She has a Fine Arts degree from Southampton University UK, Graduate Diploma in Applied Management from Ara, Master of Arts from Wintec and is currently embarking on Doctoral studies. Among her years of commissioned works, gallery ownership and as an exhibiting artist, group exhibitions include New Designers, London, with works held in collections at Eskilstuna Art Museum, Sweden, Long Beach Museum of Art, California, and St Richard Hospital, West Sussex, UK.
      
    Describing herself as an Abstract expressionist, Lyckholm improvises her own gestural language of form and colour to project the emotional truths of the paintings. This follows across the gallery space as a removal from her body in an intensity of expression and experience. The imagery in the work is a vehicle in which the disc relates to the facets of an ever-evolving sense of identity and existence, while the grid act as a response to an environment whose basic structures we have long since internalised. By weaving together, the transitional diversity of her life and experiences with the multifaceted emergence of the social self, Lyckholm’s paintings navigate the complex reality of identity.
      
    “I am compelled by the wordless and silent language of colour to give the elusive,
    intangible internal life an existence with form and vibrancy. It has always been the
    easiest way for me to reveal myself as it not only projects emotional truths away
    from the body, but offers a sense of connectedness to my environment and the
    surroundings that I find myself existing within. With the immediacy of paint, I can continually
    reinvent and reshape that identity and speak with a range of emotional responses through the quiet voice of layering paint on a canvas”.
      
    Instagram

    Instagram
  • Joe Clarke
    Joe Clarke
    Ōtautahi

    I am a Otautahi based Ngai Tahu artist and recent MA graduate exploring mixed media techniques with an emphasis on printmaking methods.
     
    While my work is primarily woodcut print based, my process is very experimental and often results in mixed media work that combines many contrasting techniques and aesthetics into one work.
      
    Since I was very young, I have always been fascinated by the world of horror and in particular, the visual allure of the macabre. Perusing the covers of horror movies I was years too young to rent at the video store was more exciting to me than actually watching the newest releases. From artists like Francis Bacon to films like The Shining, inspiration for my work can be found anywhere there is an air of darkness or the uncanny Over the years, the fascination developed into a passion and eventually into my current career.
     
    Since graduating with my Masters in 2021, I have been taking part in various exhibitions and projects including artwork for Takahe magazine, record covers for bands and taking part in group and solo exhibitions and street art projects for organizations like Watch this Space. These installations and shows have allowed me to show the world what a lifetime of being influenced by the world of horror from many contrasting mediums looks like.
      
    Instagram

    Web site Instagram
  • Joe Smith
    Joe Smith
    Ōtautahi

    I am Joseph Gregory Raye Smith and I recently completed my master's degree in fine arts. My work is pop surrealism and punk. My work is fuelled by my rage, pain, self hatred and hopelessness, that comes from my mental illness but also from my increasing disenfranchisement from neoliberal capitalism.
      
    Instagram

    Instagram
  • Kophie Su'a-Hulsbosch
    Kophie Su'a-Hulsbosch
    Ōtautahi

    Kophie Su'a-Hulsbosch is a Ōtautahi-based artist whose work spreads across a diverse range of fields, including graphic design, illustration, painting, graffiti and clothing design. This output is heavily influenced by hip hop culture, low-brow art, and the issue of sustainability/politics. A central intention in her work is the disruption of the status quo, reflected in her graffiti and her clothing brand Future Apparel which is a response to the mass production and other ongoing issues evident in the fashion industry.
      
    Instagram

    Web site Instagram
  • Magdalane Clare
    Magdalane Clare
    Ōtautahi

    Magdelane Clare graduated from Ara In 2021 with a PG diploma in Advanced Visual Arts. She has since developed a practice with mixed media and print elements, more recently exploring paint as medium. Clares creative methods employ experimental techniques sampled from the surrealist “cut up” concept as key in building imagery. This ritualistic action of random and repeated deconstruction and reassemblage of source imagery from paintings and photo elements informs Clares beginning phases in generating visual references.
      
    Magdelane Clare is inspired by great surrealists Leonora Carrington and Hanna Hoch, mimicing topical themes such as magical thought systems
    derived from ancient prose and commentary on the feminine position.
      
    Clares art permeates with a sense of "Lore" and subconscious elements regarding the individual and takes past constructs, memories and traditions into her visual future, leaving a linguring sense of humour in reflection. Her current focus is self definition within a contemporary folk narrative.
      
    Instagram

    Instagram
  • Olivia Baker
    Olivia Baker
    London

    Olivia Baker is an Ōtautahi artist currently based in London. She has a particular interest in wood carving and ceramic works which she uses to convey her interests in the built environment. Her background in psychology, geography and a master's in creative practice combine to create these whimsical works of urban environments and domestic settings.
      
    Instagram

    Web site Instagram
  • Rebecca Smallridge
    Rebecca Smallridge
    Ōtautahi

    Rebecca Smallridge (born in Timaru, 1979) is a visual artist working from her home studio in
    Ōtautahi, Aotearoa New Zealand.  In 2021, Rebecca received a Master of Arts with Distinction under the supervision of ARA Creative Industries.  This qualification is an extension of the Bachelor of Design in Visual Arts which she achieved in 2009. Rebecca has an active exhibition practice both nationally and internationally and has been included in group and solo shows since 2007. Her paintings, original woodblock prints and ceramics are held in public and private collections in Aotearoa and abroad.
      
    Instagram

    Web site Instagram
Colleen Eason
Ōtautahi

Using native and exotic plants as the base material for these works, I endeavor to align methodology and message in paper-based works featuring varied approaches to printmaking, mark making and dye-application. My subject matter is the small species as a sign of the environment. A guiding principle is to reduce the impact my creative practice has on the environment. I am using soy based ink, natural materials and I make my own inks and dyes from whatever is in season.
  
I am a practising artist in printmaking, painting and glass casting and have recently gained a Masters Degree in Creative Practice. In 2017 I gained a Certificate in Adult Teaching and Training - Southern Institute of Technology. In 2015 I completed a Bachelor of Design in Visual Arts CPIT 2005 – majoring in Sculpture and Printmaking. I began my arts education with a Foundation Certificate in Fine Arts - with the Design and Arts College in 2004. Since then, I have participated in Exhibitions consistently and in 2005 - 2008 I owned and directed an Art Gallery in Lyttelton. Other experience includes: 2019 - Scholarship PCANZ - NZ Print Association Summer School Scholarship recipient. 2019 - Scholarship: NZPA Scholarship, for first Solo Exhibition. New Zealand Academy of Fine Arts Member. - PCANZ NZ Print Association Member: Art and Design Tutor - Jade and Hardstone Carving Program Tai Poutini Polytechnic. 2013 - 2015 Chairperson - West Coast Society of Arts, 2013 - Executive Board Member - West Coast Society of Arts, 2011 - Member: Westland Arts Incorporated. 2006 - 2009 Executive Member of the Christchurch City Arts Council, 2005 - 2008 Board Member of the Lyttelton Harbour Arts Council,2006 - Facilitator of the Lyttelton Harbour Arts Collective Member. 2002 - 2005 Employee of the Centre of Contemporary Art (CoCA).
  
Instagram

View artwork
David Molony
Ōtautahi

David Molony's practice has been described as ‘digital art. He works with large-format analogue film and makes digital collages or composites from many layers of analogue film. His interest lies in a juxtaposition of form, line, colour, shape and texture to engage the viewer.

Some straight photography with elements of shape, colour, and conceptual photography, contends that such a truth can never be depicted only by one’s individual life experience.

His abstract work is made by multi-layering the analogue image to produce a sense of feeling from the viewer, from vibrant colour, line, form and texture. David wants to give the viewer an aesthetic experience with stimulating composition, evoking strong visual, emotional and intellectual impact.

David studied photography at Te Pūkenga, gaining an MA in studying abstract art literacy. He is Irish-born, living in Ōtautahi / Christchurch, Aotearoa / New Zealand holding dual citizenship.

View artwork
Debra McLeod
Ōtautahi

Debra McLeod is a multimedia artist based in Canterbury, who explores personal journeys of communicative connection, across multiple scientific and artistic genres of study. Debra describes her current body of work is based on Cartographical communicative
journeys of reflective understanding and acceptance.
  
She states “Though I started this body of work at the beginning of 2020, to document a chaotic journey of understanding for myself, I encourage the audience to view their own journey and narratives, as opposed to the artists ideas behind the works.”
  
Debra holds a Bachelors Degree of Applied Visual Art from CPIT and a Bachelors of Media Arts - Honours from Wintec and was the recipient of The Will Cummings award and Mortlock McCormick award 2015 and was artist in residence at the Art Box, Madras Street Christchurch for the year of 2016.
Debra has exhibited in solo, joint and group exhibitions within the Canterbury area.

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View artwork
Elizabeth Moyle
Ōtautahi


Elizabeth Moyle's work examines her concept of held space, an exploration into how time is held through memories and recordings. Moyle is interested in how the present runs through, with, and overlaps with the past. Her adept handling of a variety of media demonstrates not only the artist's innate abilities but a true sensitivity towards her subject lending her charcoal and painted forms an ephemeral quality and yet simultaneously, and seemingly impossibly, monumental presence.
  
Graduating with Distinction in Masters from Wintec in 2021 and First Class Honours BFA from the University of Canterbury in 2011. Moyle has exhibited both nationally and internationally and has been the recipient of many awards and scholarships.
  
Instagram

View artwork
Folina Vili
Ōtautahi

Folina Vili is an Ōtautahi based multi-disciplinary artist and musician of Sāmoan and Pākehā descent. She completed a Master of Creative Practice (Distinction) from Ara Institute of Canterbury in 2021, and has been a finalist in the Parkin Drawing Prize and the NZ Printmaking and Painting awards. She works at The Central Art Gallery.
  
Instagram

View artwork
Harriet Collins
Ōtautahi

Harriet Collins (b. 1995) is an artist, maker, designer, and ritual crafter based in Ōtautahi, Aotearoa. She completed her studies through Ara Institute of Canterbury where she gained a Bachelor of Design (Applied Visual Arts) in 2019, and a Master of Creative Practice with Distinction in 2021.
 
Responding to research conducted as part of her thesis, Crafting Ritual: Exploring ritual practice for non-religious persons through art, Harriet developed a series of artworks that sought to offer the effects of ritualistic behaviours through secular means. The resultant findings of this project motivated a re-examination of her creative process, and inspired a continual investigation into how ritualisation may be offered, encouraged, or supported through creative practice to gain a sense of fulfilment, inner peace, or self-regulation. This has primarily been realised through forms of body adornment, from small-scale contemporary jewellery pieces to larger sculptural works.
  
Instagram

 

View artwork
Isabel Lyckholm
Ōtautahi

Isabel Lyckholm was born in Edinburgh, Scotland. Lived in Hertfordshire, UK; Eskilstuna and Gothenburg, Sweden; Beja, Portugal; and currently residing in Christchurch, NZ since 2001, where she paints from her home studio. She has a Fine Arts degree from Southampton University UK, Graduate Diploma in Applied Management from Ara, Master of Arts from Wintec and is currently embarking on Doctoral studies. Among her years of commissioned works, gallery ownership and as an exhibiting artist, group exhibitions include New Designers, London, with works held in collections at Eskilstuna Art Museum, Sweden, Long Beach Museum of Art, California, and St Richard Hospital, West Sussex, UK.
  
Describing herself as an Abstract expressionist, Lyckholm improvises her own gestural language of form and colour to project the emotional truths of the paintings. This follows across the gallery space as a removal from her body in an intensity of expression and experience. The imagery in the work is a vehicle in which the disc relates to the facets of an ever-evolving sense of identity and existence, while the grid act as a response to an environment whose basic structures we have long since internalised. By weaving together, the transitional diversity of her life and experiences with the multifaceted emergence of the social self, Lyckholm’s paintings navigate the complex reality of identity.
  
“I am compelled by the wordless and silent language of colour to give the elusive,
intangible internal life an existence with form and vibrancy. It has always been the
easiest way for me to reveal myself as it not only projects emotional truths away
from the body, but offers a sense of connectedness to my environment and the
surroundings that I find myself existing within. With the immediacy of paint, I can continually
reinvent and reshape that identity and speak with a range of emotional responses through the quiet voice of layering paint on a canvas”.
  
Instagram

View artwork
Joe Clarke
Ōtautahi

I am a Otautahi based Ngai Tahu artist and recent MA graduate exploring mixed media techniques with an emphasis on printmaking methods.
 
While my work is primarily woodcut print based, my process is very experimental and often results in mixed media work that combines many contrasting techniques and aesthetics into one work.
  
Since I was very young, I have always been fascinated by the world of horror and in particular, the visual allure of the macabre. Perusing the covers of horror movies I was years too young to rent at the video store was more exciting to me than actually watching the newest releases. From artists like Francis Bacon to films like The Shining, inspiration for my work can be found anywhere there is an air of darkness or the uncanny Over the years, the fascination developed into a passion and eventually into my current career.
 
Since graduating with my Masters in 2021, I have been taking part in various exhibitions and projects including artwork for Takahe magazine, record covers for bands and taking part in group and solo exhibitions and street art projects for organizations like Watch this Space. These installations and shows have allowed me to show the world what a lifetime of being influenced by the world of horror from many contrasting mediums looks like.
  
Instagram

View artwork
Joe Smith
Ōtautahi

I am Joseph Gregory Raye Smith and I recently completed my master's degree in fine arts. My work is pop surrealism and punk. My work is fuelled by my rage, pain, self hatred and hopelessness, that comes from my mental illness but also from my increasing disenfranchisement from neoliberal capitalism.
  
Instagram

View artwork
Kophie Su'a-Hulsbosch
Ōtautahi

Kophie Su'a-Hulsbosch is a Ōtautahi-based artist whose work spreads across a diverse range of fields, including graphic design, illustration, painting, graffiti and clothing design. This output is heavily influenced by hip hop culture, low-brow art, and the issue of sustainability/politics. A central intention in her work is the disruption of the status quo, reflected in her graffiti and her clothing brand Future Apparel which is a response to the mass production and other ongoing issues evident in the fashion industry.
  
Instagram

View artwork
Magdalane Clare
Ōtautahi

Magdelane Clare graduated from Ara In 2021 with a PG diploma in Advanced Visual Arts. She has since developed a practice with mixed media and print elements, more recently exploring paint as medium. Clares creative methods employ experimental techniques sampled from the surrealist “cut up” concept as key in building imagery. This ritualistic action of random and repeated deconstruction and reassemblage of source imagery from paintings and photo elements informs Clares beginning phases in generating visual references.
  
Magdelane Clare is inspired by great surrealists Leonora Carrington and Hanna Hoch, mimicing topical themes such as magical thought systems
derived from ancient prose and commentary on the feminine position.
  
Clares art permeates with a sense of "Lore" and subconscious elements regarding the individual and takes past constructs, memories and traditions into her visual future, leaving a linguring sense of humour in reflection. Her current focus is self definition within a contemporary folk narrative.
  
Instagram

View artwork
Olivia Baker
London

Olivia Baker is an Ōtautahi artist currently based in London. She has a particular interest in wood carving and ceramic works which she uses to convey her interests in the built environment. Her background in psychology, geography and a master's in creative practice combine to create these whimsical works of urban environments and domestic settings.
  
Instagram

View artwork
Rebecca Smallridge
Ōtautahi

Rebecca Smallridge (born in Timaru, 1979) is a visual artist working from her home studio in
Ōtautahi, Aotearoa New Zealand.  In 2021, Rebecca received a Master of Arts with Distinction under the supervision of ARA Creative Industries.  This qualification is an extension of the Bachelor of Design in Visual Arts which she achieved in 2009. Rebecca has an active exhibition practice both nationally and internationally and has been included in group and solo shows since 2007. Her paintings, original woodblock prints and ceramics are held in public and private collections in Aotearoa and abroad.
  
Instagram

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Image Credit Sam Quinn

Image Credit Sam Quinn

WORKING PROGRESS install, Debra McLeod, Colleen Eason, Joe Smith
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Install shot from WORKING PROGRESS: Ara Alumni Postgraduates 
  
Image Credit Sam Quinn

Image Credit Sam Quinn

Image Credit Sam Quinn

WORKING PROGRESS Install, Elizabeth Moyle, Isabel Lyckholm, Debra McLeod, Colleen Eason, David Molony, Harriet Collins, Joe Clarke, Joe Smith
More about this artwork

Install shot from WORKING PROGRESS: Ara Alumni Post-Graduates
  
Image Credit Sam Quinn

Image Credit Sam Quinn

Image Credit Sam Quinn

1A, 1B, 2A (from A-B), Debra McLeod
More about this artwork

1A, 1B, 2A (from A - B)
(2100 x 900mm) hand cut, ink on paper
  
Image Credit Sam Quinn

Image Credit Sam Quinn

Image Credit Sam Quinn

Cellular IV & Habitat V, Colleen Eason
More about this artwork

Cellular IV 
(780 x 580mm)
wood block w. soy-based inks and natural dyes on 100% cotton paper
  
Habitat V
(780 x 580mm)
wood block w. soy-based inks and natural dyes on 100% cotton paper
  
Image Credit Sam Quinn

Image Credit David Molony

Image Credit David Molony

Untitled Drawings 1-8, Punk is Dead, Joe Smith
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Untitled Drawings 1-8 
(A4 x 8)
ink on paper
  
Punk is Dead 
(1780 x 940mm)
acrylic on raw canvas
  
Image Credit David Molony

Image Credit David Molony

Image Credit David Molony

Lenticluar Forms of Rhododendrons 1 & 2, David Molony
More about this artwork

Lenticular Forms of Rhododendrons 1 & 2 
(each 800 x 1000mm)
archival pigments ink on alumninium
  
Image Credit David Molony

Image Credit Sam Quinn

Image Credit Sam Quinn

Cityscape, Olivia Baker
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Cityscape
(1085 x 715mm)
hand-carved multiblock woodcut print 
  
Image Credit Sam Quinn

Image Credit Sam Quinn

Image Credit Sam Quinn

Untitled 1 & 2, Kophie Su'a-Hulsbosch
More about this artwork

Untitled 1
(290 x 420mm)
acrylic on paper
  
Untitled 2
(400 x 600mm)
acrylic on MDF
  
Image Credit Sam Quinn

Image Credit David Molony

Image Credit David Molony

Three works, Magdalane Clare
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The Sandman Cometh
(445 x 325mm)
soft pastel, charcoal, collage and gesso on paper
  
The Phantom Cradle
(490 x 490mm)
Oil, soft pastel, charcoal, gesso, image transfer collage and varnich on canvas
  
Take your baggage to the foyer for collection 
(490 x 490mm) vinylic emulsion, softpaste, acrylic ink, acrylic, collage and varnish on canvas
  
Image Credit David Molony

Image Credit David Molony

Image Credit David Molony

Mycorrhizal magic, Rebecca Smallridge
More about this artwork

Mycorrhizal magic
(1000 x 800mm)
Ink, watercolour, natural pigment and gold dust on paper
  
Image Credit David Molony

Image Credit Sam Quinn

Image Credit Sam Quinn

Untitled diptych & Ula lau'ulu, Folina Vili
More about this artwork

Untitled (hair) diptych
(each piece 237 x 185mm)
hair on paper
  
Ula Lau'ulu
(approx 504 x 260mm)
hair, cotton, plastic tubing
  
Image Credit Sam Quinn

Image Credit Sam Quinn

Image Credit Sam Quinn

Raw, Elizabeth Moyle
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Raw
(960 x 1400mm)
pastel and pencil on Fabriano
  
Image Credit Sam Quinn

Image Credit David Molony

Image Credit David Molony

Figure I, Figure II, Figure III, Harriet Collins
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Figure I, Figure II, Figure III
(each 160 x 90 x 160mm)
flowerclay, bamboo cord, flora
  
Image Credit David Molony

Image Credit Sam Quinn

Image Credit Sam Quinn

Triptych, Joe Clarke
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The Emergent
(594 x 420mm)
woodcut on Paper
  
The Frenzied Progenitor
(594 x 430mm)
woodcut and acrylic on paper
  
The Sentient Tomb
(594 x 420mm)
woodcut on paper
  
Image Credit Sam Quinn