Jacquelyn Greenbank
Squatch, 2015

Jacquelyn Greenbank
Squatch, 2015
Jacquelyn Greenbank’s practice employs a domestic approach to art making. Utilising found objects, recycled materials and meticulously intricate hand crafted objects that capture a moment, sensation or pseudo historical event. Inquisitively weaving narratives that often blend social histories and the occult, popular culture and the paranormal in a unique and often humorous way.
In 2015 Greenbank was awarded The Olivia Spencer Bower Foundation Art Award, her end of residency exhibition, Squatch, was made up of a number of elements some of which she accumulated while living in Tauranga. Snare traps, strange found assemblages of branches, the texture and smell of stone wash second hand smoke stained leather jackets, and vegetables. Squatch channeled the paranormal through a kind of Lynchian pseudo mysticism. With the use of tribal adornments, snares and shame poles, Squatch examined themes of identity, taboos and the supernatural while referencing traditions of primitivism. These artworks have been developed from this body of work.
First Main Image: Jacquelyn Greenbank, Squatch, 2015 Photo: Nick Glen
Photo Credit: Daniela Aebli

Jacquelyn Greenbank, Squatch, 2015
Squatch, 2015, Jacquelyn Greenbank

Squatch, 2015, Jacquelyn Greenbank

Artworks

Tim J. Veling
D,P,O., 2014

Pauline Rhodes
Towards the Light, 2016

Louise Palmer
90 Canon (a series of empty rooms), 2016

Emma Fitts
Fit-out for Olivia Spencer Bower, 2015

Ana Iti
First, they chose a name, 2016

Daegan Wells
Sutton's Garden, 2016

Jacquelyn Greenbank
Squatch, 2015

James Oram
Furrows, 2016

Nina Oberg Humphries
Lilia, 2015

Steve Carr
Watermelon, 2015

Tjalling de Vries
Copy Card

Rob Hood
Coupland’s Waterfall, 2016

Scott Flanagan
Wild South—Young Mountains, 2016
